Although “The Godfather” is not much original and technical in a general sense on a cinematic world scale, there is no doubt of its impact on others, from critics to filmmakers and is on top of many lists of the greatest films of all time, including ranking second on AFI’s list of the American greatest films. The film at least boasts to be an original new gangster style in American cinema, introducing Italian Mafia to the screen. That also invigorated American Italian cinema in Hollywood to dominate part of the American cinema with the second and third parts of The Godfather trilogy and Martin Scorsese’s future films, starting with “Mean Street”.
Adapted for the screen from the Mario Puzo’s novel of the same name who collaborated with Francis Ford Coppola on the script. First major feature of Coppola who until then had mainly worked on screen writing, the film and its sequels were major box office hits and pleased both the critics who were mostly appalled a few years before by the violence and praising gangsterism with “Bonnie and Clyde” and just a year before with “Straw Dogs”. Perhaps by the pressure of the audience who received both previous films and also adjusting to the new American wave cinema of sheer violence, the critics not only received this film greatly, but worshiped it to this very day. Winning the best picture, best actor for Marlon Brando (who declined the award) and the best adapted screenplay for a mafia film depicting the organized crime in US was historically a surprise.
The film that is the part one of a trilogy, starting from the middle of the life story of Vito Corleone or the Godfather of an Italian Mafia family when he as an older man having a stronghold organized crime business with four grown up children. The part two that was released two years after in 1974, starting the life story of Vito Corleone who as a victim of mafia, back in Sicily of Italy, escapes the prosecution after his father, brothers and even mother were all murdered by the head of the local gangster, Don Chicho and seeks refuge in America. The beginning of the story is more empathizing to Vito who starts an honest simple life in America as a new immigrant, getting married and having children, before the victim or prey becoming a perpetrator and leading an organized crime establishment.
Already deep in an all illegal crime business in the part I, while the film stresses on the family values, that’s all about an organized criminal family. Like any non-righteous man in power to protect his kingdom and his large family, being not only a father to his own children, but a Godfather to many, Vito Corleone has to keep doing whatever it takes to keep his position strong and stable. Therefore the film is original in introducing to the screen, the life story of organized crime in America, though they were not in majority family oriented as in this story. Other than great unusual acting style of Al Pacino without his common theatrical exaggeration, in fact and despite winning Oscar, Marlon Brando in the same year performed better in “Last tango in Paris”.
Read the full text here: